“Akere Muna’s Coalition Gamble: Too Late, Too Shy?”
By Princeley Njukang There has been palpable excitement among some Cameroonians following the announcement…
ANSAMA TEH SCHOLARSHIP FOR ACADEMIC EXCELLENCE: GCE AL & OL CATEGORIES 2025
In partnership with AFRICA NEEDS US FOUNDATION (ANUF), we will offer the Ansama Teh…
CREATION OF AJUNG COMMISSION FOR FUTURE GENERATIONS AND SUSTAINABILITY
Ajung Fondom has created an Indigenous Commission for Future Generations and Sustainability. Ajung Fondom…
EDITORIAL: Welcome to The Ijim Times, Fresh like Water from Ijim!
By Nsah Mala This is the inaugural edition of a newspaper called The Ijim…
Nsanda Eba, Author of The Good Foot, Has Hit His Bad Foot: Adieu!
By Nsah Mala The death of Cameroonian novelist Nsanda Eba, renowned author of The…
Lick the Bone, But Don’t Break It for Its Marrow: Mbessa Indigenous Knowledge for Future Generations
by Nsah Mala* In our world of escalating and intersecting polycrisis, the necessity to…
The virality of letters: the Covid-19 literary archive keeps growing
by Kenneth Nsah* On Saturday 21 March 2020, I submitted a poem entitled “Give…
The Return of Bush Fallers: Cameroon Anglophone Fiction Responds to Clandestine Immigration
by Kenneth Toah Nsah* Abstract Since 2010, many novels by Anglophone Cameroonian writers tend…
The Screaming Forest: An Ecocritical Assessment of Le Cri de la forêt
by Kenneth Nsah* Abstract From a postcolonial ecocritical standpoint, this essay analyzes the…
No Forest, No Water. No Forest, No Animals”: An Ecocritical Reading of Ekpe Inyang’s The Hill Barbers
by Kenneth Nsah* Abstract This article examines Ekpe Inyang’s play entitled The Hill Barbers (2010)…
